Monday, February 23, 2009

The Baltimore Cabaret at Frazier's


The Baltimore Cabaret at Frazier's

Fundraiser for AWP -- One Night Only!

Ron Tanner & AWP
Friday, February 27, 2009
7:00pm - 11:00pm
Frazier's On The Avenue
919 W. 36th St.
Baltimore, MD
4104677318
rtanner@loyola.edu

www.tannertoys.com

Writers who double as musicians? Musicians who write and compose? Baltimore has it all! The Association of Writers and Writing Programs (AWP) will host a Baltimore event celebrating the intersection of writing and music.

Featuring performances by Madison Smartt Bell, Victoria Vox, Ron Kipling Williams, Todd Whaley, Linda Joy Burke, Michael Kimball, Adam Robinson, Jen Michalski, Rahne Alexander and more!Also, a rarity, the winner and the two finalists of the Flannery O'Connor Award are all Baltimoreans and they will be present to read their works at the event.

To speak to someone about the event, contact Ron Tanner, AWP's president and a faculty member at Loyola College. He can be reached via e-mail at rtanner@loyola.edu.

The Association of Writers and Writing Programs (AWP) has been advocating for writers in the community and writers in academe for over forty years. AWP seeks to make creative writing an important part of daily life and an integral part of school curriculums. AWP represents over 28,000 independent writers, over 80 writing conferences and centers, and over 400 writing programs in the U.S., Canada, and England. Despite its tremendous success, AWP has been operating with a dangerously small endowment. Therefore, it has undertaken a series of fundraising events to build that endowment and ensure that the organization can continue (and expand) its advocacy work



CAmm Cine Lounge

CAmm Cine Lounge
Creative Alliance at The Patterson
3134 Eastern Ave
Baltimore, MD 21224
Info and registration: www.creativealliance.org
410-276-1651

1st Mondays: Mar 2, Apr 6
CAmm Cine Lounge
Hosted by Stacie Gentzler, Black Ink Films
See or bring new film or work in progress (max 15 min) and have a critical conversation with peers. Film industry guests share tips. Networking power hour, and the bar is open! Hands on CAmm Cage gear demos! 7pm. $8, $6 mbrs.

Carl Grubbs & Lafayette Gilchrist @ The Radisson

Carl Grubbs & Lafayette Gilchrist's Hometown Jazz!
The Radisson at Cross Keys
5100 Falls Road

Baltimore,. Maryland 21210
(410) 532-6900
Saturday, February 28, 7 PM

Dinner concert features Carl Grubbs & Lafayette Gilchrist in a Celebration of Maryland's Jazz Traditions - the music of Eubie Blake, Chick Webb and Carl Grubbs. Featuring Mike Formanek on bass and Eric Allen on drums

$40 w/dinner - $25 show only

Retrospective of Works by John Berndt


Retrospective of Works by John Berndt
Emily Harvey Foundation (Gallery)
537 Broadway at Spring Street - 2nd floor
New York, NY 10012

Wednesday April 15th – Thursday April 30th
Open Tuesday – Saturday, 2PM – 6PM

Opening reception and free concert: Friday April 17th, 7PM-10PM
Performance Nights: Friday April 24th and Saturday April 25th, 7PM-9PM
($6 admission for each night)


This April, the Emily Harvey Foundation presents the first major retrospective of works by John Berndt (b. 1967). Berndt’s vital and idiosyncratic cultural activity over the last thirty years has touched nearly every aspect of experimental culture. Best known to the public as a prolific musician, composer and improviser and as a key organizer in the scene around the international High Zero festival, Berndt’s work from the very beginning also involved the creation of coherent novelties in a broader range of media, including personal behavior, film, visual art, text, installation and a variety of non-musical performance genres. Driven by his unique philosophy and collaborations, his panoramic sensibility is the subject of the show.



Berndt’s mother is a cognitive neuropsychologist who exposed him to ideas about cognition, perception and experimental method; between her influence, and a precocious interest in paradoxes, his earliest creative work had an unusually open-ended, existential, and experimental flavor. At age 11 he began composing electronic music soundscapes and language experiments, and at age 13 his musical work was premiered on the radio. Thus began a lifetime public obsession with unusual perceptions, novel compositional structures, and the evocation of unlabeled states of mind.

As a teenager in the mid-80s, Berndt became the youngest member of the international Neoist movement, contributing as a core member to the development of its philosophy and participating in many Neoist events and publications over a roughly ten-year period. Neoism was an avant-garde cultural/political movement, comparable to Fluxus or Situationism, albeit more militant and with qualitatively different content. Neoism often involved the deliberate adoption of falsehoods, mythologies, mind games, and hoaxes. Shortly after co-organizing the Neoist-related “Art Strike, 1990-1993,” Berndt essentially left the movement because his interests had shifted to more honestly liberating (albeit equally strange) content. He also came into his own at this time as a cultural organizer and impresario.

In the early 90’s, Berndt became a student of the philosophy of Henry Flynt, the visionary philosopher and original author of “Concept Art.” This relationship, which has recently deepened into collaboration, had a huge effect on the clarification of Berndt’s thought, and led to an increased emphasis on rationally reconstructable lines of argument within his delirious oeuvre. Berndt began to write sincere philosophy, and to frame his varied activities as manifestations of a unified, radical sensibility of consciousness.

At the same time, his technical abilities developed. Berndt became a student of world-renown avant-garde saxophonist Jack Wright and of experimental instrument inventor Neil Feather. Through these relationships, he dramatically broadened his approach, developing extended technical ability on a variety of instruments, and developing novel approaches to sound production. He also became an advocate of non-idiomatic, freely improvised music (though still actively involved in other approaches), performing in hundreds of freely improvised concerts and on many recordings, including collaborations with leading figures.



In Ecstatic Thought Experiments, 1989 – 2009, the Emily Harvey Foundation brings together the dimensions of Berndt’s work over a twenty year period, ranging from micro- to macro- experiences: A large installation submerges visitors in a uniquely disorienting visual space. A small book, made especially for the exhibit, contains descriptions of impossible objects. Novel optical illusions give the visitor new experiences. A dance solo continues fluidly forever without repeating. Original instruments expose new aesthetics and performance possibilities. Theoretical texts frame lived experience in ways that are destabilizing to faith in conventional knowledge.

From this swarm of content, aligned with no official cultural movement, emerges for the first time the picture of an individual developing a radical philosophy through all available channels. The exhibit is also enriched by three nights of concerts, covering a broad range of Berndt’s heterogeneous solo and collaborative projects, starting with an opening concert on Friday April 17th, and continuing with two nights on April 24th and 25th.

For more information, see www.johnberndt.org

Wednesday, February 11, 2009

Janet & Walter Sondheim Artscape Prize Semi-finalists Announced

The Janet & Walter Sondheim Artscape Prize Announces Semifinalists

Mayor Sheila Dixon and the Baltimore Office of Promotion & The Arts announce the semifinalists for the fourth annual Janet & Walter Sondheim Artscape Prize. The prize will award a $25,000 fellowship to a visual artist or visual artist collaborators working in the Baltimore region. The winner of the Janet & Walter Sondheim Artscape Prize will be announced on Saturday, July, 11 at 7pm at The Baltimore Museum of Art.

Janet & Walter Sondheim Artscape Prize Semi-finalists

Seth Adelsberger, Baltimore, MD

Alzaruba, Baltimore, MD

BDC (Baltimore Development Cooperative), Baltimore, MD

Lisa Blas, Washington, DC

Rachel Bone, Baltimore, MD

Jessica Braiterman, Beltsville, MD

Travis Childers, Fairfax, VA

Mary Coble, Washington, DC

R.L. Croft, Manassas, VA

Alyssa Dennis, Baltimore, MD

Liz Ensz, Baltimore, MD

Leslie Furlong, Baltimore, MD

Ryan Hackett, Kensington, MD

Christian Herr, Lancaster, PA

Jason Horowitz, Arlington, VA

Jessie Lehson, Baltimore, MD

Kim Manfredi, Baltimore, MD

Katherine Mann, Baltimore, MD

Baby Martinez, Washington, DC

Sebastian Martorana, Baltimore, MD

Lisa Moren, Baltimore, MD

Ellen Nielsen, Baltimore, MD

Louie Palu, Washington, DC

Molly Springfield, Washington, DC

TwoCan Collective, Baltimore, MD

Karen Yasinsky, Baltimore, MD

Approximately six finalists will be selected for the final review for the prize. Artists’ work will be shown in the Thalheimer Gallery of The Baltimore Museum of Art. An exhibition of the semifinalists’ work will be shown in the Decker and Meyerhoff galleries of the Maryland Institute College of Art during the Artscape weekend, July 17-19. The prize is in conjunction with the annual Artscape juried exhibition and is produced with The Baltimore Museum of Art and the Maryland Institute College of Art.

This year’s jurors are Ellen Harvey, Valerie Cassel Oliver and Elisabeth Sussman. Ellen Harvey is a New York-based artist with an extensive exhibition history that includes solo shows at the LUXE Gallery(2007); New York, Pennsylvania Academy of the Fine Arts (2005), Philadelphia; the Whitney Museum at Philip Morris (2003), New York; and De Chiara Gallery (2000 & 2001), New York. She has been included in many significant group exhibitions including the Whitney Biennial 2008; Generation 1.5 at the Queens Museum of Art (2007), New York; Block Party at the Bellwether gallery (2002), New York; and Superduper New York at Pierogi 2000 (2000). In 1999, Ms. Harvey participated in the Whitney Museum of American Art’s Independent Study program, after which she spent the following two years working on her now famous New York Beautification Project, a brilliantly straight-forward public art project where she “tagged” already graffiti covered spots with small 5” x 7” intricately detailed oval landscapes. She has other works in the public art collections of both New York and Chicago. She has also won several awards and her artwork has been reviewed often in publications such as The New York Times, Art in America and New York Magazine. She is currently represented by LUXE Gallery, New York; Magnus Müller, Berlin; Galerie Gebr. Lehmann, Dresden, Germany; and Locks Gallery, Philadelphia.

Valerie Cassel Oliver is Curator at the Contemporary Arts Museum Houston (CAMH), where she has been assembling acclaimed exhibitions since 2001. Included among them are Splat Boom Pow! The Influence of Cartoons in Contemporary Art (2003), Double Consciousness: Black Conceptual Art Since 1970 (2005), Black Light White Noise: Sound and Light in Contemporary Art; as well as Cinema Remixed and Reloaded. Black Women and the Moving Image since 1970, which is currently on view at the museum in Houston. She was also a member of the curatorial team for the 2000 Biennial Exhibition at the Whitney Museum of American Art. Prior to her tenure at CAMH, she was the director of the Visiting Artists Program at the School of the Art Institute of Chicago and curated several lecture series and symposia including Witness: Art/Activism (1998), Lesbian Identity and the Landscape of Homophobia (1998), Jurassic Technology (1998), The Performative Object (1998), Culture of Empire/Culture of Resistance (1998), Reality/Virtual Reality (1997), and Sound Mining: Unearthing Extended Voice (1996). She has authored books that accompany a variety of her curatorial projects, and has served as a program specialist at the National Endowment for the Arts (1988 to 1995).

Elisabeth Sussman is Curator and Sondra Gilman Curator of Photography at the Whitney Museum of American Art in New York; where her most recent curatorial effort William Eggleston: Democratic Camera – Photographs and Video, 1961-2008 has recently closed. Ms. Sussman’s remarkable career spans more than three decades and includes curating or co-curating such seminal exhibitions as Mike Kelley: Catholic Tastes (1993), the 1993 Biennial Exhibition, Nan Goldin: I’ll Be Your Mirror (1996), Keith Haring (1997) and Gordon Matta-Clark (2007) all at the Whitney Museum of American art; as well as the landmark retrospectives of the works of Eva Hess (2001), which won the International Art Critics Association First Prize for the best monographic exhibition retrospective outside of New York, and Diane Arbus (2003) for the San Francisco Museum of Modern Art. In addition to authoring several publications that accompany her curatorial projects, she has contributed essays to countless other volumes. In 1999 she was a Fellow of the Rockefeller Foundation in Bellagio, Italy, and a Scholar at the Getty Research Institute in 2003. She has taught at M.I.T., Tufts and Harvard Universities.

Dates

Announcement of finalists April 14, 2009

Finalist interviews July 11, 2009

Award announcement July 11, 2009, 7pm

BMA exhibition duration June 20 - August 16, 2009

MICA exhibition duration July 17 - August 2, 2009

Artscape July 17-19, 200


The 2009 Janet & Walter Sondheim Artscape Prize is made possible through the support of The Abell Foundation, Alex. Brown Charitable Foundation, anonymous, The Henry and Ruth Blaustein Rosenberg Foundation, the Charlesmead Foundation, Ellen Dankert, the France-Merrick Foundation, Under Armour Baltimore Marathon, Willard Hackerman c/o Whiting-Turner Contracting, and Legg Mason.

For more information on the 2009 Janet & Walter Sondheim Artscape Prize, visit www.artscape.org or call 410-752-8632.

Monday, February 9, 2009

Propositions @ Area 405

Propositions
Area 405

Propositions
Area 405
405 East Oliver Street
Baltimore, MD

February 15th - March 29th, 2009

Opening reception: Saturday, February 21st, 2009, 7-10pm
Artist talk: Saturday, February 21st, 2009, 6-6:30pm

Show runs:

.Additional information can be found at www.propositionsatarea405.com.

Propositions is an exhibition curated by Stephen G. Dewyer and features works by Neal Reinalda, Ding Ren, Glenn Shrum and Elena Volkova at Area 405, a not-for-profit and artist-run gallery in Baltimore, MD. Propositions exhibits works that investigate the function of propositions. The absence of spatial qualifications in a proposition means that a proposition locates a placeless space. A proposition identifies its subject with a space always-already in transition. Artists in propositions produce works that locate in a liminal, third space of transition from the everyday to the uncanny and vice versa; the application of boundaries to boundless space and vice versa; semblance to dissemblance and vice versa; and, between the interval of light becoming shadow and vice versa. Propositions intends to locate works within the present that negate certain ends in occupation.

RARE AND SWEET AND ROTTON TO THE CORE -The 14Karat Cabaret, @ MICA BBOX


A special presentation of
The 14Karat Cabaret
as part of MICA's newest exhibition - Follies, Predicaments, and Other Conundrums: The Works of Laure Drogoul.

Friday, Feb. 13, 2009
9 - 11:30 p.m.
Maryland Institute College of Art (MICA)
BBOX, Gateway Building
1601 Mount Royal Avenue

The 14Karat Cabaret is an ongoing series of performances, music, dance, film, and video in an informal nightclub setting established in 1989 by MICA alumna Laure Drogoul ‘81 and Maryland Art Place. This special performance will take place in MICA's new BBOX performance space and includes films by Martha Colburn and Catherine Pancake and performances by Naoko Maeshiba, Steve Bradley, puppeteer Sarah Jennings, and Snacks.

Event Details:
Tickets go on sale in the Gateway lobby at 7:00 p.m. day of the show. Tickets are $7. Limited free seating is available for MICA students with advance reservations by sending their name and MICA ID number to eds@mica.edu. The Decker and Meyerhoff Galleries will be open until 9:00 p.m. before the cabaret. Seating will begin at 8:30 p.m.

Visit www.mica.edu/drogoul for more information.

BLACK TO OUR ROOTS @ Creative Alliance at The Patterson


BLACK TO OUR ROOTS:
AWARD-WINNING FILM SCREENING & PREMIER BLACK HISTORY MONTH EVENT

Presented by BlackOut Studios, HABESHA, and Creative Alliance.

Creative Alliance at The Patterson
3134 eastern Ave.
Baltimore, MD 21224
www.creativealliance.org
(410)276-1651
Friday, February 27, 2009
Doors: 7:00pm Screening: 8:30pm


Admission: Advance: $10, $8mbrs
Door: $12,$10mbrs
Determined to transcend her environment, Atlanta teen Sylvia Dorsey finds herself on a soul-searching mission with a group of other youth to Ghana. Tonight’s event features a marketplace with Diasporic cuisine and an Afrobeat DJ. Capoiera Angola-an Afro-Brasilian martial arts, panel discussion, and live reggae by Proverbs and guests follows. Dinner sold sep.


About Black to Our Roots (2008, 57 min): An inspirational story that follows Atlanta teen Sylvia Dorsey who is frustrated by the violence and drug abuse that surrounds her. Determined to transcend this environment, she finds herself on a soul-searching mission as she travels with a group of other Atlanta youth to Ghana. While in Ghana, the youth are confronted with several challenges that test their patience and change their lives forever. They must adapt to living conditions that America has ill-prepared them for, learn to appreciate things they took for granted and address the misconceptions that exist about both Africans and African-Americans. Black to Our Roots was made by Tre Subira, Director of the Digital Center for Urban Experience at LaSalle University who recently relocated to Baltimore from Atlanta.

AWARDS:

Best Documentary-- American Black Film Festival, Spaghetti Junction Film Festival, San Diego Black Film Festival, Audience Choice Award--International Black Docufest


Media Contacts:

Olu Butterfly Woods Black Mission Media (410)236-3775 olu@blackoutstudios.com www.blackmissionmedia.com
Kristen Anchor, Creative Alliance kristen@creativealliance.org, 410-276-1651

Fantastical Imaginings @ Loyola College

Fantastical Imaginings

Julio Fine Arts Gallery

Loyola College

4501 North Charles
Baltimore, MD
Feb. 19.
- March 28.
410-617-2799.

Gallery talk and reception Friday, Feb. 27, from 5 – 7 p.m.

A traveling exhibition curated by J. Susan Isaacs and launched at the Delaware Center for Contemporary Art, “Fantastical Imaginings” features the work of artists who are inspired by fantasy, driven to create whimsical and imaginary worlds through their work. Artists included in the Julio Art Gallery exhibit include Marilyn Holsing, A.D. Loveday, Serena Perrone and Hiro Sakaguchi. Their influences range from outsider art and surrealism to graphic novels and cartoons.


Julio Fine Arts Gallery is located on Loyola’s North Charles Street campus. Gallery hours are Monday – Friday, 11 a.m. – 5 p.m., and Sunday 1 – 4 p.m. For more information on this exhibit and other gallery programs, contact Gallery Director Kay Hwang at 410-617-2799.


Friday, February 6, 2009

Mise-en-scène @ Paperworks Gallery


Artists: Guillaume Pallat, Lillian Bayley Hoover, and Audrey Collins Petrich
Paperwork Gallery
107 E. Preston Street
www.paperworkgallery.com

Exhibition Dates: February 7 - March 7, 2009
Opening Reception: Saturday, Feb. 7, 7-9 p.m.

Stemming from the theater, the French term mise en scène literally means "putting on stage." When applied to the cinema, mise-en-scène refers to everything that appears before the camera and its arrangement – sets, props, actors, costumes, and lighting.

Mise-en-scène also includes the positioning and movement of actors on the set, which is called blocking. These are all the areas overseen by the director, and thus, in French film credits, the director's title is metteur en scène, "putter on scene."